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Read the excerpt from The Land. In the late afternoon I did the same, but all the time I was on the stallion, I was aware that Mitchell was watching me. He had appeared on the edge of the woods and had just stood there watching Ghost Wind and me as we went round and round the meadow. Finally, on one of our turns past him, he said: "S'pose you thinkin' you a real somebody 'cause you can ride that stallion." I looked down at Mitchell and stopped, knowing that despite our understanding, he was itching for a fight with me. Now, I don't know what possessed me in that moment to say the next thing I did. Maybe I was feeling guilty that because I was my daddy's son, I could ride Ghost Wind. Maybe it was that, but it wasn't out of fear I said what I said. I no longer was afraid of Mitchell. "You want to ride him?" I asked. Mitchell took a step backward. It was obvious he hadn't expected me to say that. "You know I can't ride him," he said. "Your white daddy'd kill me." "You want to ride him?" I asked again. Mitchell looked at the stallion, then at me. "So, what if I do?" What intrinsic motivation does the author most likely intend the reader to infer from the passage? Paul is motivated by his need to have Mitchell praise his riding skills. Mitchell is motivated by his need to have Paul praise his riding skills. Paul is motivated by jealousy and wishes he had free time like Mitchell. Mitchell is motivated by jealousy and wishes he could ride the horse.

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its D. Mitchell is motivated by jealousy and wishes he could ride the horse.

The intrinsic motivation by which the author most likely intend the reader to infer from the passage is:

Option D

  • Intrinsic motivation does the author most likely intend the reader to infer from the passage.

The book is set soon after the finish of the Civil War, and it follows Cassie's granddad, Paul-Edward or here and there essentially Paul, from youth through the early long stretches of his masculinity. Like Mildred Taylor's different books, The Land, has been gotten with basic praise, and legitimately.

The hero and storyteller of the book. Paul is a consistent, persevering youngster of blended racial legacy. For the duration of his life, he battles to find a sense of peace with his relationship to his white, landowning and earlier slave-claiming, family and with his profound craving to possess land.

All through The Land, Paul battles with the importance of family and, significantly more distinctly, the importance of sibling.

In Paul's reality, connection and legacy assume a significant part in understanding one's past, one's social circumstance, what one can anticipate from life, and upon whom one can depend.

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