We can actually deduce here that the effect of the author’s word choice in the passage is: It supports the author's purpose of challenging the image of the romantic countryside.
An author's word choice actually refers to the choice that the author makes in selecting words to convey his idea and purpose to readers.
We can actually see from the passage below that passage actually supports the author's purpose of challenging the image of the romantic countryside.
Below is the passage:
Read the passage from The Time Traveler's Guide to Elizabethan England.
There are no roads across this wasteland, only track ways. Elizabethans see it as good for nothing but pasture, tin mining, and the steady water supply it provides by way of the rivers that rise there. Many people are afraid of such moors and forests. They are "the ruthless, vast and gloomy woods . . . by nature made for murders and for rapes," as Shakespeare writes in Titus Andronicus. Certainly no one will think of Dartmoor as beautiful. Sixteenth-century artists paint wealthy people, prosperous cities, and food, not landscapes.
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