An effect of the reformation on artists in northern Europe during the sixteenth century was that they were forced to look for patrons outside the church.
Ultimately, up till the Reformation, artists nearly completely depicted spiritual subjects. As they had been pressured to change, artists targeted non-non secular issues which include still life, landscape, portraiture, and style painting. Reformers had no objection to art in public areas or historic artwork.
The primary traits of Reformation art sprang from Protestant theology which centered on the individual relationship between the worshipper and God. This emphasis become meditated on the range of common people and normal everyday scenes that were portrayed in Protestant art.
Reformers believed strongly in the instructional and inspirational power of visible art and promoted some of the guidelines to be accompanied in the production of spiritual paintings and sculptures. those fashioned the premise for what became referred to as Catholic Counter-Reformation artwork.
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