Television documentaries in which wildlife filmmakers record private moments of animals in their natural environments are an example of nonconcealed observation.
The majority of nature documentaries on film or television centre on a specific species, environment, or scientific concept (such as evolution). The majority approach their themes scientifically and educationally, but some anthropomorphize them or present animals merely for the enjoyment of the viewer. Some of them, including Nanook of the North (1922), The Story of the Weeping Camel (2003), and Grass: A Nation's Battle for Life, are presented in ethnographic film styles and tell stories of people and their interactions with nature (1925). Although almost all have a human presenter, the job description varies greatly, ranging from substantial engagement or even confrontation with animals to voice-overs that provide explanations.
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